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‘But who considers woman day by day?’: Australian Women Poets and World War I

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

Remembering the War: Australian Novelists of the InterWar Years

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

Beatrice Davis and ‘The Sacredness of the Printed Word’

‘Our Literary Connexion’: Rosa Praed and George Bentley

Coetzee’s Womanizing

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

Bibliographic Notes on Selected Irish-Australian Writers

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Caesura and the Deforming Poem: Rupture as a Space for the Other

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over