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- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- The Historical Basis of For the Term of His Natural LifeEssay1 December 1963
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- Treating Dora in *His Natural Life*Essay1 May 2003
- Vexilla Regis Prodeunt: Myth and Allusion in Out of IrelandEssay1 May 2001
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014