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- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- Means and Ends in WritingEssay1 October 1979
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- Some Recent Australian Plays, and Problems of Their CriticismEssay1 October 1967
- Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*Essay1 October 1981
- Some Volumes of Selected Poems of the 1970s, IIReview1 May 1982
- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- The Poetry of Les MurrayEssay1 May 1985
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989