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- Looking for the History in Literary History: Review of *The Oxford Literary History of Australia*Review1 October 1999
- The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*Essay1 May 1999
- Henry Kendall’s ReligionEssay1 May 2002
- *My Brilliant Career*: The Career of the *Career*Essay1 October 2002
- When ‘History Changes Who We Were’Review1 November 2008
- Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential FriendEssay1 October 2005
- Review of *Telling Stories: Australian Life and Literature, edited by Tanya Dalziell and Paul Genoni.Review1 October 2013
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Fantasising the Nation for Child Readers in Early Australian Fairy TalesEssay11 December 2022
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- A Book By Any Other Name? Towards a Social History of the Book in Aboriginal AustraliaEssay1 June 2009
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018