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- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Jindyworobaks and AboriginesEssay1 May 1977
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- Australian Literature: Points for DepartureEssay1 October 1999
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*Essay1 October 2013
- Before the Nation: Rolf Boldrewood and the Problem of Scale in National LiteraturesEssay31 October 2015
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005