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Review of *My Congenials: Miles Franklin & Friends in Letters*, edited by Jill Roe.

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

Review of *Henry Handel Richardson: Fiction in the Making* by Axel Clark, *The Importance of Being Eve Langley* by Joy L. Thwaite, and *The Last Exquisite: A Portrait of Frederic Manning* by Verna Coleman

Origin, Identity and the Body in David Malouf’s Fiction

The Solitariness of Alex Miller

Review of *Australian Short Fiction: A History*, by Bruce Bennett

Review of *Ida Leeson: A Life - Not a Blue-Stocking Lady*, by Sylvia Martin

Future Tense: *Dead Europe* and Viral Anti-Semitism

Of Sages and Sybils: Alec Hope and Judith Wright

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

Review of *Thea Astley's Fictional Worlds*, edited by Susan Sheridan and Paul Genoni

Review of *A Companion to Australian Literature since 1900*, edited by Nicholas Birns and Rebecca McNeer.

Review of *Making Books: Contemporary Australian Publishing*, edited by David Carter and Anne Galligan

Review of *Intimate Horizons: The Post-Colonial Sacred in Australian Literature*, by Bill Ashcroft, Frances Devlin-Glass, and Lyn McCredden

Review of *Lighting Dark Places: Essays on Kate Grenville*, edited by Sue Kossew

Review of *The Empire Actors: Stars of Australasian Costume Drama 1890s-1920s*, by Veronica Kelly

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

Notes on the Early Unpublished Manuscripts of Peter Carey

Review of *Rainforest Narratives: The Work of Janette Turner Hospital*, by David Callahan