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- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- The Radiant Dream : Notes on Henry KendallEssay1 October 1969
- A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey LehmannEssay1 May 1983
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters PertainingEssay1 October 1983
- Kipling’s Visit and the Early Reception of His Books in Australia (1889-1900)Essay1 May 1985
- A Checklist of Australian Literature of the First World WarEssay1 October 1985
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Jindyworobaks and AboriginesEssay1 May 1977