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- Setting the Record Straight: Bibliography and Australian LiteratureEssay1 October 2003
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Review of *Time, Tide and History: Eleanor Dark’s Fiction, edited by Fiona Morrison and Brigid Rooney*Review19 December 2024
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- Review of *The Farthing Poet*: A Biography of Richard Hengist Home 1802-84, by Ann BlaineyReview1 May 1969
- Authors’ Statements [Morris Lurie]Essay1 October 1981
- A New Map of Australia: The Plays of David WilliamsonEssay1 May 1984
- Some Henry Lawson Letters to Edward GarnettEssay1 May 1985
- Review of *Springtime in Taranaki: An Autobiography of Youth* by Douglas StewartReview1 May 1985
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- Patrick White: Misconceptions about Jung’s InfluenceEssay1 October 1979
- Review of *Melbourne or the Bush: Essays on Australian Literature and Society* by Chris Wallace-CrabbeReview1 October 1975
- The Date of Composition of *Ralph Rashleigh*Essay1 October 1974
- Tim ThorneEssay1 October 1977
- *Makar*Essay1 October 1977
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991