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From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

Representation and Particularity in Pastoral: Some Examples from *Walden*

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Reading Carey Reading Malley

‘How to encourage our literature’: Australian Fiction in the Australian Public Library

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy

Perceptions of the Enemy in Australian War Literature

Literary Criticism in Australia: A Change of Critical Paradigms?

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

Snake Dreaming: The Life-Giving and Life-Taking Powers of the Snake

Henry Lawson and the ‘Pinker of Literary Agents’

‘Phrases Between Us’: The Poetry of Anna Wickham

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Here Beyond My Knowing

Mona Brand: A Checklist, 1935-1980