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- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- Christina Stead’s Student PublicationsEssay7 December 2016
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- The D.H. Lawrence - P.R. Stephensen LettersEssay1 May 1984
- Annual Bibliography of Studies in Australian Literature : 2004Essay1 May 2005
- Colonial Violence and Forgotten FictionEssay1 June 2009
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- Fantasising the Nation for Child Readers in Early Australian Fairy TalesEssay11 December 2022
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- Irony Machines: Artificial Intelligence, Literary Language, and the Opacities of TrustEssay22 December 2025
- Introduction: AI and the Future of Literary StudiesEssay22 December 2025
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985