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- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Charles Rowcroft, For ExampleEssay1 June 1966
- Review by Craig MunroReview1 May 1991
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016