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- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- Reading (in/and) *Miranda*Essay1 May 2006
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- The Short Stories of Judith WrightEssay1 June 1963
- Short NoticesReview1 October 1969
- Review of variousReview1 October 1969
- Authors’ Statements [John Morrison]Essay1 October 1981
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- Review of *Marcus Clarke: an Annotated Bibliography*, by Ian F. McLaren.Review1 October 1984