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- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya DalziellReview3 December 2018
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Harpur’s Notes and Kendall’s Bell BirdsEssay1 May 1972
- Shirley Hazzard : Dislocation and ContinuityEssay1 October 1979
- Peter CareyEssay1 October 1977
- Review of *The Jindyworobaks*, selected and edited with an introduction by Brian ElliottReview1 October 1980
- Heterotopias: Writing and LocationEssay1 October 1995
- Theory as Fireworks: An Interview with Brian CastroEssay1 May 2002
- When ‘History Changes Who We Were’Review1 November 2008
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- The World Outside Time : Slessor’s Five BellsEssay1 October 1971
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982
- David Malouf and the Language of ExileEssay1 October 1982
- John TranterEssay1 October 1977
- Homages and Invocations: The Early Poetry of Robert AdamsonEssay1 October 1989
- Becoming Native: Australian Novelists and the New Zealand WarsEssay1 May 2006
- Indigenous Sovereignty in the Poetry of Romaine MoretonEssay1 October 2009
- Editing ALS: A MemoirEssay1 June 2013