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- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- By Association: Crafting Mission and Values Statements for the Australian University Heads of EnglishEssay30 October 2023
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- Manifesting Literary Feminisms: Nexus and FaultlinesEssay1 November 2009
- Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and FlushEssay1 June 2010
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022