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Review of *The Transformation of Political Identity from Commonwealth through Postcolonial Literature* by Lamia Tayeb

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

Review of *A Companion to Australian Literature since 1900*, edited by Nicholas Birns and Rebecca McNeer.

Review of *Intimate Horizons: The Post-Colonial Sacred in Australian Literature*, by Bill Ashcroft, Frances Devlin-Glass, and Lyn McCredden

Review of *The Anthology of Colonial Australian Romance Fiction*, edited by Ken Gelder and Rachael Weaver

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

Authors’ Statements [Elizabeth Jolley]

Authors’ Statements [Peter Carey]

Local Moderns: The Jindyworobak Movement and Australian Modernism

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Review of *In Due Season: Australian Literary Studies: A Personal Memoir*, by Harry Heseltine

Review of *Cultural Translation and Postcolonial Poetry*, by Ashok Bery

Grievous Music: Randolph Stow’s Middle Ages

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’