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- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Jindyworobaks and AboriginesEssay1 May 1977
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’Essay1 October 1978
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Ways of Seeing : Henry Lawson’s ‘Going Blind’Essay1 May 1980
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999