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- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- An Interview with Archie WellerEssay1 October 1993
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Mid-Victorian Reading and the AntipodesEssay1 May 2006