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Introduction: Why Pastoral?

Small Presses and Little Magazines in the 1970s

Setting the Record Straight: Bibliography and Australian Literature

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Review of *Time, Tide and History: Eleanor Dark’s Fiction, edited by Fiona Morrison and Brigid Rooney*

Porous Realism and the Precarious Home in Ruth Park’s Fiction

Repairing Rationality: Max Bense and the Automation of Literature in Post-War Germany

Some Developments in Short Fiction, 1969-1980

*An Imaginary Life*: The Dimensions of Self

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

After Libertarianism: An Interview with Michael Wilding

Means and Ends in Writing

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Shirley Hazzard: Transit and *The Bay of Noon*

A Survey

Gossip and History in the Novels of Brian Penton and Thomas Keneally

Man, Work and Country: The Production of Henry Lawson

Michael Wilding’s Three Centres of Value

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy