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Porous Realism and the Precarious Home in Ruth Park’s Fiction

Some Developments in Short Fiction, 1969-1980

*An Imaginary Life*: The Dimensions of Self

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

After Libertarianism: An Interview with Michael Wilding

Means and Ends in Writing

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Shirley Hazzard: Transit and *The Bay of Noon*

A Survey

Gossip and History in the Novels of Brian Penton and Thomas Keneally

Man, Work and Country: The Production of Henry Lawson

Michael Wilding’s Three Centres of Value

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Reading English

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

Annual Bibliography of Studies in Australian Literature : 1963

The Sources of *His Natural Life*

Review of *Christina Stead* by R. G. Geering

Further Evidence in the Early Use of ‘bushranger’