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- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Shannon’s Information Theory, AI, and FictionEssay22 December 2025
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya DalziellReview3 December 2018
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Harpur’s Notes and Kendall’s Bell BirdsEssay1 May 1972