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Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis Borges

‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

The Asian Conspiracy: Deploying Voice/Deploying Story

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Coetzee’s Womanizing

Textual Encounters of the Bird Kind: Dal Stivens and the Night Parrot

Literary Festivals and Cultural Consumption

Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political Novel

*The Sentimental Bloke* and His Critics

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey Lehmann

A Reconsideration of Christina Stead at Work: Fact into Fiction

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

The Telling of Marmel’s Story

Imagining Transcendence: The Poetry of David Malouf

‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print Culture