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The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Tainted Testimony : The Khouri Affair

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

Review of *Teaching Australian and New Zealand Literature*, edited by Nicholas Birns, Nicole Moore and Sarah Shieff

Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’

Voyage and Kaleidoscope in George Johnston’s Trilogy

Charles Harpur’s ‘Midsummer Noon’: A Structuralist Approach

Narrative Technique in Lawson

Australian Criticism in ‘Transition’

Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis Borges

‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics