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- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- Mansfield and Richardson: A Short Story DialecticEssay1 October 1983
- Vance Palmer and the Unguarded AwarenessEssay1 May 1974
- Oodgeroo in ChinaEssay1 November 1994
- Treating Dora in *His Natural Life*Essay1 May 2003
- Vexilla Regis Prodeunt: Myth and Allusion in Out of IrelandEssay1 May 2001
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012