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‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

Review of *The Writer's Sense of the Past*, edited by Kirpal Singh; and *Australian/Canadian Literatures in English: Comparative Perspectives*, edited by Russell McDougall and Gillian Whitlock

Patrick White’s ‘Return to Abyssinia’

Review of books by Hal Porter, Catherine Helen Spence, Douglas Stewart and Ric Throssell

*Makar*

Review of *The Eye in the Mandala: Patrick White: A Vision of Man and God* by Peter Beatson and *Patrick White: Voss* by William Walsh

T. Inglis Moore

Review of *Ada Cambridge, Tasma and Rosa Praed* by Raymond Beilby and Cecil Hadgraft

Review of *L'Universo Terra in 'Voss' di Patrick White* by Antonella Riem, and *The Labyrinths of the Self* by Antonella Riem

Review of *The Sea Coast of Bohemia: Literary Life in Sydney's Roaring Twenties* by Peter Kirkpatrick

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Review of *Hearts and Minds: Creative Australians and the Environment*, by Michael Pollak and Margaret MacNabb

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Review of *Literary and Social Diasporas: An Italian Australian Perspective*, edited by Gaetano Rando and Gerry Turcotte

Review of *Impact of the Modern: Vernacular Modernities in Australia 1870s–1960s*, edited by Robert Dixon and Veronica Kelly

Review of *City Bushman: Henry Lawson and the Australian Imagination*, by Christopher Lee

The Modernist Sacred: Randolph Stow and Patrick White

Review of *London Was Full of Rooms*, edited by Tully Barnett, Nena Bierbaum, Syd Harrex, Rick Hosking and Graham Tulloch

The Eco-Humanities as Literature: A New Genre?

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek