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- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- Repairing Rationality: Max Bense and the Automation of Literature in Post-War GermanyEssay22 December 2025
- Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*Essay25 February 2018