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- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- David Ireland’s *Prisoner’ and *The Flesheaters*Essay1 October 1980
- PreoccupationsEssay1 May 1990
- Growing Up with Our Sister Kath - OodgerooEssay1 November 1994
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Vexilla Regis Prodeunt: Myth and Allusion in Out of IrelandEssay1 May 2001
- Gender ButtonsEssay1 November 2009
- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983
- *The Watcher on the Cast Iron Balcony*: Hal Porter’s Triumph of Creative ContradictionEssay1 May 1986
- Apollo in George StreetEssay1 October 1986
- Sheer Voice and Fidget Wheels: A Study of 'Five Bells'Essay1 May 1988
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- English Studies: A Personal JourneyEssay1 June 2013
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Inner Voices and the First CoilEssay1 October 1979