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- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983
- *The Watcher on the Cast Iron Balcony*: Hal Porter’s Triumph of Creative ContradictionEssay1 May 1986
- Apollo in George StreetEssay1 October 1986
- Sheer Voice and Fidget Wheels: A Study of 'Five Bells'Essay1 May 1988
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- English Studies: A Personal JourneyEssay1 June 2013
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Inner Voices and the First CoilEssay1 October 1979
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Means and Ends in WritingEssay1 October 1979
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- Last Flight to Byzantium: *Memoirs of Many in One*Essay1 June 1991
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Ocean of StoryEssay1 October 1981
- The D.H. Lawrence - P.R. Stephensen LettersEssay1 May 1984