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- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Writing Places in the Spaces of AIEssay22 December 2025
- Review by Martin DuwellReview1 May 1991
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- Review of *Charles Harpur, An Australian* by J. Normington RawlingReview1 June 1963
- Review of *The Literature of Australia*, edited by Geoffrey DuttonReview1 June 1965
- James Lester Burke, Author of *Martin Cash*Essay1 June 1965
- Rufus Dawes, NovelistEssay1 May 1988
- Review of *Native Companions* and *Judith Wright* by A.D. HopeReview1 May 1976
- ‘Another Fresh Australian Tale’: The American Publication of Catherine Martin’s The Silent SeaEssay1 October 1992
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- Xavier Herbert, Journalist?Essay1 May 1993