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- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015
- Hal Porter’s Comic ModeEssay1 October 1970
- A.D. Hope’s ‘The Double Looking Glass’: A ReadingReview1 October 1974
- Les Murray: Watching with His MouthEssay1 October 2001
- Annual Bibliography of Studies in Australian Literature : 1979Essay1 May 1980
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Some Recent Australian Plays, and Problems of Their CriticismEssay1 October 1967
- Some Volumes of Selected Poems of the 1970s, IIReview1 May 1982
- Discoveries and Transformations: Aspects of David Malouf’s WorkEssay1 May 1984
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- The Politics of English Studies in IndiaEssay1 June 2013
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- Review of South Pacific Images, Patrick White's Riders in the Chariot, and H.H. Richardson's Maurice GuestReview1 October 1979
- Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*Essay28 April 2020
- Reviews of books by William Walsh, Bruce King, William H. New and Alastair NivenReview1 October 1978