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- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain PoemsEssay30 June 2015
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Decomposing Suburbia: Patrick White’s PerversityEssay1 November 1998
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Gender ButtonsEssay1 November 2009
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs OverEssay15 December 2025
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010