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- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Annual Bibliography of Studies in Australian Literature: 1989Essay1 May 1990
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- Jack LindsayEssay1 October 1983
- A Checklist of Australian Literature of the First World WarEssay1 October 1985
- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- The Fiction of Beverley FarmerEssay1 May 1990
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007