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- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Colonial Violence and Forgotten FictionEssay1 June 2009
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- Annual Bibliography of Studies in Australian Literature : 1965Essay1 June 1966
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- Australian Literary Studies in the 1940s: The Commonwealth Literary Fund LecturesEssay1 November 2015
- Folksong - A ProtestEssay1 June 1966
- Shaw Neilson’s PoetryEssay1 December 1966
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- [Statements about War Literature]Essay1 October 1985
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999