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- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Colonial Violence and Forgotten FictionEssay1 June 2009
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- Annual Bibliography of Studies in Australian Literature : 1965Essay1 June 1966
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- Australian Literary Studies in the 1940s: The Commonwealth Literary Fund LecturesEssay1 November 2015
- Folksong - A ProtestEssay1 June 1966
- Shaw Neilson’s PoetryEssay1 December 1966
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- [Statements about War Literature]Essay1 October 1985
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980