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- Christina Stead: A ChecklistEssay1 October 1980
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- Annual Bibliography of Studies in Australian Literature: 1989Essay1 May 1990
- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- Slessor’s ‘Five Visions of Captain Cook’Essay1 May 1969
- Miles Franklin on Dearborn Street, Chicago, 1906-15Essay1 May 1982
- Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*Essay1 October 1983
- Barbara Hanrahan’s NovelsEssay1 May 1983
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012