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‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Review of *The Intimate Empire: Reading Women's Autobiography*, by Gillian Whitlock

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

Future Tense: *Dead Europe* and Viral Anti-Semitism

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Review of *Henry Handel Richardson: A Life*, by Michael Ackland

Friendship in a Time of Loneliness

Review of *Barbara Hanrahan: A Biography*, by Annette Stewart

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

A Reply to W.H. Pearson

‘The Nurse and Tutor of Eccentric Minds’ : Some Developments in Lawson’s Treatment of Madness

Review of *A Study of Christopher Brennan's The Forest of Night* by A.R. Chisholm; and *The Letters of Hugh McCrae* selected by Robert D. Fitzgerald