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- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Les Murray: A Selective ChecklistEssay1 October 2001
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*Essay5 July 2019
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015