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- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*Essay1 May 1998
- Les Murray: Watching with His MouthEssay1 October 2001
- The Suburban Problem of EvilEssay1 November 1998
- John Foulcher’s DemocracyEssay1 October 1999
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- Review of *An Unsentimental Bloke: The Life and Works of C.J. Dennis*, by Philip ButterssReview1 November 2013
- ‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of SchizophreniaEssay23 May 2022
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020
- Inner Voices and the First CoilEssay1 October 1979
- The Hero’s ‘Fear of Freedom’ in KeneallyEssay1 October 1972
- Means and Ends in WritingEssay1 October 1979
- The Fortunate FlâneuseEssay1 November 2015
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Bruce Dawe and Frank Sargeson : Speaking in Other VoicesEssay1 May 1983
- Discoveries and Transformations: Aspects of David Malouf’s WorkEssay1 May 1984