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‘What You See Must Be Other’: Language and Eros in the Poetry of Richard Kelly Tipping

Tranter’s Plots

A Pastoral Reading of Christina Stead’s *Cotters’ England*

The Whirligig and Furphy

*The Twyborn Affair*: Beyond ‘the Human Hierarchy of Men and Women’

‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*

‘By What Sign / Are You Walking?’: The Poetry of Judith Rodriguez

Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*

Les Murray: Watching with His Mouth

The Suburban Problem of Evil

John Foulcher’s Democracy

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Review of *An Unsentimental Bloke: The Life and Works of C.J. Dennis*, by Philip Butterss

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Thea Astley’s *An Item from the Late News*: A Fictional Fifth Gospel

Inner Voices and the First Coil

The Hero’s ‘Fear of Freedom’ in Keneally