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- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- Review of *The Broad Arrow: Being Passages from the History of Maida Gwynnham, a Lifer*, by Oliné Keese, edited by Jenna MeadReview30 September 2022
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Review of *The Antipodean Laboratory: Making Colonial Knowledge, 1770–1870*, by Anna JohnstonReview25 May 2024
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- Patrick White’s Studies for *Voss*Essay30 September 2022
- Les Murray’s Talking MosaicsEssay19 December 2024
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- The Redemptive Theme in *His Natural Life*Essay1 June 1965
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- Christina Stead: An InterviewEssay1 May 1974
- The Pursuit of Oblivion: In Flight from SuburbiaEssay1 November 1998
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- ‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan MooreheadEssay1 May 1999
- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001