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Representation and Particularity in Pastoral: Some Examples from *Walden*

The Structure of Frederic Manning’s War Novel *Her Privates We*

The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Veronica Brady’s Biography of Judith Wright

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

The Politics of English Studies in India

Books as Gifts: The Meaning and Function of a Personal Library

Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

Les Murray’s Talking Mosaics

Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural Discourse

Thomas Keneally: A Checklist

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Displaying the Monster: Patrick White, Sexuality, Celebrity

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself