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- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the CurriculumEssay19 September 2017
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- Mona Brand: A Checklist, 1935-1980Essay1 May 1981
- Martin Boyd: A ChecklistEssay1 October 1972
- Narrative Technique in LawsonEssay1 May 1980
- Australian Poems on European PaintingsEssay1 June 1991
- The Dark Side of the Dreaming: Aboriginality and Australian CultureEssay1 October 1992
- ‘My Little Ghost-Slave’: The Queer Lives of Rosa PraedEssay1 October 1996
- Tales of Old Travel: Predecessors of David Malouf’s *The Conversations at Curlow Creek*Essay1 October 1997
- Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam ShoemakerReview1 May 1990