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You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

Minding Elephants and the Rhetorics of Destruction

The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain Poems

What Created, What Perceived?: Early Responses to New South Wales

From the Harp of Erin to Erin of the Harp with Thomas Keneally

Review of *In A Critical Condition* by John Docker; and *The Music of Love: Critical Essays on Literature and Life* by Dorothy Green

Wildness and Wilderness: Anti-pastoralism and the Problematic Politics of Edward Abbey

Norman Lindsay’s ‘Creative Effort’: Manifesto for an Urban Intelligentsia

Poetry into Life, Life into Poetry: Judith Wright and the Academy

Narrative Technique in Lawson

Cultural Pathology: What Ern Malley Means

Nationalising the Author: The Celebrity of Peter Carey

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

Politics and Passion in Stead’s Late Novels

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

Shirley Hazzard’s *The Transit of Venus* and the Question of Value

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA