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- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- Interview with Andrew TaylorEssay1 May 2004
- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- Coetzee’s WomanizingEssay25 February 2018
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983
- Bruce Dawe and Frank Sargeson : Speaking in Other VoicesEssay1 May 1983
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- A.B. Facey’s Australian AutobiographyEssay1 May 1987