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*The Young Cosima*

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

Barbara Hanrahan’s Novels

Mateship, Individualism and the Production of Character in Australian Fiction

From the Sudan to Saigon: A Critical Review of Historical Works

Shirley Hazzard: Transit and *The Bay of Noon*

Sentimental Jonah’s Heart of Stone

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

Centre of Fierceness: Francis Webb’s Vision of the Artist

Marcus Clarke: ‘Christianity is Dead’

The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

Daniel Deniehy: A Checklist of Writings and Speeches

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

Man, Work and Country: The Production of Henry Lawson

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*