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Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*

John Tranter: Absence in Flight

Anthologies and Orthodoxies

Price Warung: Some Bibliographical Details and a Checklist of the Stories

Kate Baker, ‘Standard-Bearer’

Daniel Deniehy: A Checklist of Writings and Speeches

Miles Franklin, *My Brilliant Career* and the Female Tradition

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

Hal Porter, *The Tower* and the Quintessence of Porterism

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

A Reconsideration of Christina Stead at Work: Fact into Fiction

Randolph Stow’s *Outrider* and the French Voyager Poem

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen