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- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- The Spirit of the Creek!Essay1 May 1968
- Interview with Kerry Reed-GilbertEssay5 May 2016
- Place, History and Story: Tony Birch and the Yarra RiverEssay5 May 2016