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- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Helen Garner’s EducationEssay28 October 2021
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- *His Natural Life* and Its SourcesEssay1 May 1971
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- ‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary CriticismEssay1 October 1979
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- Louis Stone’s ‘Jonah’ : A Cinematic NovelEssay1 June 1965
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- Some Volumes of Selected Poems of the 1970s, IIReview1 May 1982
- A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey LehmannEssay1 May 1983
- Barbara Hanrahan’s NovelsEssay1 May 1983
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Reopening the Case of Ada CambridgeEssay1 October 1987
- *Ralph Rashleigh*: A Convict DreamEssay1 May 1976