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- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- The Whirligig and FurphyEssay1 May 1976
- ‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69Essay1 October 1973
- Narrative Technique in LawsonEssay1 May 1980
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- An Interview with Judith RodriguezEssay1 October 1997
- Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*Essay1 May 1998
- The Art of ‘Cracking Normal’Essay1 October 2001
- Reading *My Brilliant Career*Essay1 October 2002
- The Suburban Problem of EvilEssay1 November 1998
- John Foulcher’s DemocracyEssay1 October 1999
- Roy Bridge’s Fictions of Van Diemen’s LandEssay1 October 2000
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- Judith Wright and the Temporality of CompositionEssay1 October 2007
- ‘untranscended / life itself’: The Poetry of Pam BrownEssay1 October 2005
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- ‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919Essay30 September 2021
- ‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary StudiesEssay30 October 2023