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Evoking Empathy: Structures of Language and Feeling in Robert Gray’s Poetry

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Excavating a Bonanza: Sarah Campion

Criminal Transport: George Barrington and the Colonial Cure

Reading Carey Reading Malley

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

Future Tense: *Dead Europe* and Viral Anti-Semitism

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

Counter-Poetics

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Reading Dickens

Minding Elephants and the Rhetorics of Destruction

The Impact of Literature

Daemonic Currents in Dorothy Porter’s Poetry