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- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- About Face: Asian-Australians at HomeEssay1 May 2002
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Australian Literature: Points for DepartureEssay1 October 1999
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006