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What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

The Golden Fish: On Reading J. S. Harry

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

Delight and Revolution: Literary Studies, Aesthetics and Ideology

The Pursuit of Oblivion: In Flight from Suburbia

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

An Interview with Tim Winton

‘By What Sign / Are You Walking?’: The Poetry of Judith Rodriguez

‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian Club

Judith Wright and the Temporality of Composition

Bottling the Forbidden Fruit: Marion Halligan’s Fiction

Literary Festivals and Cultural Consumption

Introduction

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

Barbara Baynton: Woman as ‘The Chosen Vessel’

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Annual Bibliography of Studies in Australian Literature: 1992

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work