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‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

The Modernist Sacred: Randolph Stow and Patrick White

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

Some Developments in Short Fiction, 1969-1980

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

A Decade of Complaints

American Dreaming : The Fictions of Peter Carey

John Tranter

Interview with Hal Porter

Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial History

Helen Garner’s Education

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Literary Festivals and Cultural Consumption

A Survey of Australian Utopian and Dystopian Fiction

Urban Influence on Australian Literature in the Late Nineteenth Century

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*