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Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*

Introduction: The Uses of Irish-Australian Literature

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

Literary Festivals and Cultural Consumption

Walter Murdoch : ‘A Humble Protest’?

Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*

Review of *Vance Palmer* by Harry Heseltine

[Statements about War Literature]

Barbara Hanrahan’s Novels

Anthologies and Orthodoxies

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Poetry and Politics in Oodgeroo: Transcending the Difference

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

The Literary Reputation of Adam Lindsay Gordon

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Of Sages and Sybils: Alec Hope and Judith Wright